No Pride in Genocide
This screening is a global film event from Queer Cinema for Palestine (QCP) co-organized by the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI).
Queer Cinema for Palestine began as an alternative ethical space for filmmakers who pulled or refused to show their work in the Israeli government-sponsored TLVFest LGBTQ Film Festival. This year’s program focuses on the work of queer, Palestinian, and allied artists, across locales, in historic Palestine and the diaspora, identities, lengths, styles and genres to highlight art’s position in resistance and the struggle for liberation.
Film Program
A Message, Mama Ganuush, 2:51 min, Palestine (2026)
A short documentary film capturing the queer Palestinian voices in exile.
Mama Ganuush is a trans Palestinian performance artist, filmmaker, organizer, and activist whose work is a potent and unflinching expression of Palestinian futurism. Based between San Francisco and Lisbon, their performances are a powerful synthesis of Palestinian folk art and music, the elegance of Egyptian golden-era dance, and the raw, spontaneous energy of clown and theater.
Ceasefire بِكَفِّي قَهْـر , Teodor Vladár, 23 min, Slovakia/Hungary (2025)
Nawras, a Jordanian-Palestinian queer artist, has been living in Slovakia, Bratislava for the past four years. Living within two communities and clashing cultures, she is pushed towards a third goal; to find peace and a place she can call home. Now, she is reclaiming the culture she was born into, this time, as she chooses to define it, and in doing so, creating a community which becomes her family.
The 5-Year Plan for Financial Independence, Dua Omari, 7 min, Palestine (2025)
This video reflects on Palestine’s history as a repeating cycle of injustice, imagining a future where the system remains unchanged and violence continues. It exposes the failure of the global system to deliver real justice, offering only symbolic solutions that do not improve daily life. Palestinians are forced to adapt to conditions below basic human dignity, kept in a state of false hope with no clear path to freedom or dignity.
Until We Return, Huss AC, 11 min, Egypt/Scotland (2025)
Until We Return drifts between memory and dream, moving from the flicker of a sixth birthday on VHS to the final unknowing farewell of a vanished home. Unfolding like a passage along the Nile, through dreamlike currents of Cairo where memory and presence blur, part vision, part yearning, part possibility. Upon its waters, a fragile utopia awakens, a world where separation never came to be, where return is still within reach, and the home once lost flows back into being.
We Will Haunt Your Archive, R.R., 10 min, United States (2026)
December 2, 2023. A queer protest erupts in San Francisco in solidarity with Palestine.The film situates this action within the longer history of ACT UP’s activism during the AIDS crisis. It explores glitch as a radical feminist tactic for resisting contemporary regimes of surveillance and silencing.
Sorry, John Greyson, 7 min, Canada (2024)
A portrait of three young women: Luna Alyaan, a young Gaza violinist, killed by an Elbit drone; Eden Golan, a Zionist singer who represented Israel at 2024’s Eurovision in Malmo; and Greta Thunberg, who lead protests at Eurovision that year. A dark satire of Israel’s weaponization of song for hasbara (propaganda) purposes, Sorry uses humour and pop culture to create a mash-up agit-prop in support of the ongoing Eurovision boycott and the Dump Elbit campaign. (Inspired by Toronto Palestine Film Festival’s Gaza Lives tribute to artists lost in the genocide).
This screening is a global film event from Queer Cinema for Palestine (QCP) co-organized by the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI).
Queer Cinema for Palestine began as an alternative ethical space for filmmakers who pulled or refused to show their work in the Israeli government-sponsored TLVFest LGBTQ Film Festival. This year’s program focuses on the work of queer, Palestinian, and allied artists, across locales, in historic Palestine and the diaspora, identities, lengths, styles and genres to highlight art’s position in resistance and the struggle for liberation.
Film Program
A Message, Mama Ganuush, 2:51 min, Palestine (2026)
A short documentary film capturing the queer Palestinian voices in exile.
Mama Ganuush is a trans Palestinian performance artist, filmmaker, organizer, and activist whose work is a potent and unflinching expression of Palestinian futurism. Based between San Francisco and Lisbon, their performances are a powerful synthesis of Palestinian folk art and music, the elegance of Egyptian golden-era dance, and the raw, spontaneous energy of clown and theater.
Ceasefire بِكَفِّي قَهْـر , Teodor Vladár, 23 min, Slovakia/Hungary (2025)
Nawras, a Jordanian-Palestinian queer artist, has been living in Slovakia, Bratislava for the past four years. Living within two communities and clashing cultures, she is pushed towards a third goal; to find peace and a place she can call home. Now, she is reclaiming the culture she was born into, this time, as she chooses to define it, and in doing so, creating a community which becomes her family.
The 5-Year Plan for Financial Independence, Dua Omari, 7 min, Palestine (2025)
This video reflects on Palestine’s history as a repeating cycle of injustice, imagining a future where the system remains unchanged and violence continues. It exposes the failure of the global system to deliver real justice, offering only symbolic solutions that do not improve daily life. Palestinians are forced to adapt to conditions below basic human dignity, kept in a state of false hope with no clear path to freedom or dignity.
Until We Return, Huss AC, 11 min, Egypt/Scotland (2025)
Until We Return drifts between memory and dream, moving from the flicker of a sixth birthday on VHS to the final unknowing farewell of a vanished home. Unfolding like a passage along the Nile, through dreamlike currents of Cairo where memory and presence blur, part vision, part yearning, part possibility. Upon its waters, a fragile utopia awakens, a world where separation never came to be, where return is still within reach, and the home once lost flows back into being.
We Will Haunt Your Archive, R.R., 10 min, United States (2026)
December 2, 2023. A queer protest erupts in San Francisco in solidarity with Palestine.The film situates this action within the longer history of ACT UP’s activism during the AIDS crisis. It explores glitch as a radical feminist tactic for resisting contemporary regimes of surveillance and silencing.
Sorry, John Greyson, 7 min, Canada (2024)
A portrait of three young women: Luna Alyaan, a young Gaza violinist, killed by an Elbit drone; Eden Golan, a Zionist singer who represented Israel at 2024’s Eurovision in Malmo; and Greta Thunberg, who lead protests at Eurovision that year. A dark satire of Israel’s weaponization of song for hasbara (propaganda) purposes, Sorry uses humour and pop culture to create a mash-up agit-prop in support of the ongoing Eurovision boycott and the Dump Elbit campaign. (Inspired by Toronto Palestine Film Festival’s Gaza Lives tribute to artists lost in the genocide).