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DART Film Festival
Through the Backseat Window
Sunday, March 1st 2026
5pm-8pm
Spacy
1300 South Polk Street 160a Dallas, TX, 75224 United States.
Through the Backseat Window, is meant to connect communities across Dallas with independent films, to counterbalance the dispersion of arts communities caused by extensive urban sprawl throughout the DFW metroplex. As Dallas Public Transit Society (A local organization fighting for public transportation), we’re focused on promoting the growth of public transportation in Dallas as more than a mode of transit, but as a method of connecting communities and minds while developing the societal and cultural norms of Dallas. The presentation title: Through the Backseat Window is in reference to the child-like perspective of the world through the backseat window of a car; full of insight and creativity. Like in any car based city, this perspective of the world becomes diminished by the responsibilities of driving and concerning yourself with your own safety, and your own property. Car based cities innately encourage separation between people, without proper reinforcement of culture or unity, which is what we hope to encourage by bringing people together with this event. We believe that public transportation acts as a continuation of the perspective we all had as kids, looking out the backseat window of a car, wondering how we would someday change the world that we observed. These are independent films made by Dallas filmmakers who use DART (Dallas Area Rapid Transit). These films are meant to reflect the insights that these filmmakers have gained, by utilizing DART as not only a mode of transit, but also as a vessel for thought. Our city should not be defined only by its economic growth, but also by its contribution to the societal norms that we practice throughout the nation.
Through the Backseat Window is a screening of eight independent films made by local Dallas filmmakers, mutually presenting the artistic initiatives inspired by DART.
The DART
Grimsley Hunter, 2025, USA, 6 min
The first film is titled The DART; a short documentary about our efforts and goals as an organization, with interviews from multiple DART riders and local Dallas citizens who want to see public transit thrive in Dallas.
Cow Tools
Everett Johnson, 2025, USA, 7 min
The second of these films is an independent short film titled Cow Tools which has been described by its filmmaker as “A strange story about a very special cartoonist” without any further explanation.
Sleep
Nasir Meade and Grimsley Hunter, 2025, USA, 2 minutes.
“When will the day come when you wake up from a typical sleep to remember that other people have more power than you? Don’t fight it please. Love the way you sleep. We aren’t trying to be Quentin Tarantino. We just want to make you smile.” - Grimsley Hunter.
2/10/26
Everett Johnson, USA, 5 Minutes.
“An examination of protesting and what it means to high school students.” - Everett Johnson.
Needle In The Hay
Felix Gooden, USA, 5 minutes.
“A visual interpretation of Elliot Smith’s ‘Needle in the Hay’. A boy wanders through a desolate monochromatic reality, haunted by memories of his brother, who died from a mysterious illness. It is only when he is faced with the same fate that he must come to terms with the world around him. His memory becomes reckoning, and he must accept his grief in order to allow color to slowly return to the colorless landscape.” -Felix Gooden.
Uncertainty Is Being
William Sarradet, USA, 5 minutes.
Beautiful and surreal music video for the band TEAADORA.
The DART pt 2
Mason Merritt, USA, 5 Minutes.
A film about our plan to continue supporting DART with our campaign which marries the humanity of Dallas with its infrastructure.
(10 Minute Intermission)
Within Frame
Mason Merritt, 2025, USA, 50 min
The final film being screened is titled Within Frame which is a surrealist film depicting a young child who is home bound by various health issues, seeking real life experiences in the world, while another story is being told of a struggling artist, longing for a meditative experience similar to that of the child’s isolation.
Through the Backseat Window
Sunday, March 1st 2026
5pm-8pm
Spacy
1300 South Polk Street 160a Dallas, TX, 75224 United States.
Through the Backseat Window, is meant to connect communities across Dallas with independent films, to counterbalance the dispersion of arts communities caused by extensive urban sprawl throughout the DFW metroplex. As Dallas Public Transit Society (A local organization fighting for public transportation), we’re focused on promoting the growth of public transportation in Dallas as more than a mode of transit, but as a method of connecting communities and minds while developing the societal and cultural norms of Dallas. The presentation title: Through the Backseat Window is in reference to the child-like perspective of the world through the backseat window of a car; full of insight and creativity. Like in any car based city, this perspective of the world becomes diminished by the responsibilities of driving and concerning yourself with your own safety, and your own property. Car based cities innately encourage separation between people, without proper reinforcement of culture or unity, which is what we hope to encourage by bringing people together with this event. We believe that public transportation acts as a continuation of the perspective we all had as kids, looking out the backseat window of a car, wondering how we would someday change the world that we observed. These are independent films made by Dallas filmmakers who use DART (Dallas Area Rapid Transit). These films are meant to reflect the insights that these filmmakers have gained, by utilizing DART as not only a mode of transit, but also as a vessel for thought. Our city should not be defined only by its economic growth, but also by its contribution to the societal norms that we practice throughout the nation.
Through the Backseat Window is a screening of eight independent films made by local Dallas filmmakers, mutually presenting the artistic initiatives inspired by DART.
The DART
Grimsley Hunter, 2025, USA, 6 min
The first film is titled The DART; a short documentary about our efforts and goals as an organization, with interviews from multiple DART riders and local Dallas citizens who want to see public transit thrive in Dallas.
Cow Tools
Everett Johnson, 2025, USA, 7 min
The second of these films is an independent short film titled Cow Tools which has been described by its filmmaker as “A strange story about a very special cartoonist” without any further explanation.
Sleep
Nasir Meade and Grimsley Hunter, 2025, USA, 2 minutes.
“When will the day come when you wake up from a typical sleep to remember that other people have more power than you? Don’t fight it please. Love the way you sleep. We aren’t trying to be Quentin Tarantino. We just want to make you smile.” - Grimsley Hunter.
2/10/26
Everett Johnson, USA, 5 Minutes.
“An examination of protesting and what it means to high school students.” - Everett Johnson.
Needle In The Hay
Felix Gooden, USA, 5 minutes.
“A visual interpretation of Elliot Smith’s ‘Needle in the Hay’. A boy wanders through a desolate monochromatic reality, haunted by memories of his brother, who died from a mysterious illness. It is only when he is faced with the same fate that he must come to terms with the world around him. His memory becomes reckoning, and he must accept his grief in order to allow color to slowly return to the colorless landscape.” -Felix Gooden.
Uncertainty Is Being
William Sarradet, USA, 5 minutes.
Beautiful and surreal music video for the band TEAADORA.
The DART pt 2
Mason Merritt, USA, 5 Minutes.
A film about our plan to continue supporting DART with our campaign which marries the humanity of Dallas with its infrastructure.
(10 Minute Intermission)
Within Frame
Mason Merritt, 2025, USA, 50 min
The final film being screened is titled Within Frame which is a surrealist film depicting a young child who is home bound by various health issues, seeking real life experiences in the world, while another story is being told of a struggling artist, longing for a meditative experience similar to that of the child’s isolation.