A Tale of Springtime
Eric Rohmer, France, 1990, 107 min
In the first film of “Tales of the Four Seasons,” a burgeoning friendship between philosophy teacher Jeanne (Anne Teyssèdre) and pianist Natacha (Florence Darel) is strained by jealousy, suspicion, and intrigue. Natacha encourages Jeanne to pursue the former's father, Igor (Hugues Quester), in order to supplant Eve (Eloïse Bennett), the young girlfriend Natacha loathes. Natacha’s scheme, however, risks alienating those closest to her as well as entangling Jeanne in a romantic drama she has vowed to avoid. A Tale of Springtime demonstrates Rohmer in full command of subtle visual storytelling as he contrasts the brightness of his characters’ Parisian and suburban surroundings with their conflicting desires, ideas, and temperaments.
Eric Rohmer, France, 1990, 107 min
In the first film of “Tales of the Four Seasons,” a burgeoning friendship between philosophy teacher Jeanne (Anne Teyssèdre) and pianist Natacha (Florence Darel) is strained by jealousy, suspicion, and intrigue. Natacha encourages Jeanne to pursue the former's father, Igor (Hugues Quester), in order to supplant Eve (Eloïse Bennett), the young girlfriend Natacha loathes. Natacha’s scheme, however, risks alienating those closest to her as well as entangling Jeanne in a romantic drama she has vowed to avoid. A Tale of Springtime demonstrates Rohmer in full command of subtle visual storytelling as he contrasts the brightness of his characters’ Parisian and suburban surroundings with their conflicting desires, ideas, and temperaments.
Eric Rohmer, France, 1990, 107 min
In the first film of “Tales of the Four Seasons,” a burgeoning friendship between philosophy teacher Jeanne (Anne Teyssèdre) and pianist Natacha (Florence Darel) is strained by jealousy, suspicion, and intrigue. Natacha encourages Jeanne to pursue the former's father, Igor (Hugues Quester), in order to supplant Eve (Eloïse Bennett), the young girlfriend Natacha loathes. Natacha’s scheme, however, risks alienating those closest to her as well as entangling Jeanne in a romantic drama she has vowed to avoid. A Tale of Springtime demonstrates Rohmer in full command of subtle visual storytelling as he contrasts the brightness of his characters’ Parisian and suburban surroundings with their conflicting desires, ideas, and temperaments.